Form in 20th Century Music

نویسنده

  • James Tenney
چکیده

FORM. In the most general sense: shape (contour, the variation of some attribute of a thing in space or time), and structure (the disposition of parts, relations of part to part, and of part to whole). In music, shape is the result of changes in some attribute or parameter of sound, in time, while structure has to do with various relations between sounds and sound-configurations, at the same or at different moments in time. The word is often used in the more restricted sense of a fixed or standard scheme of relationships (e.g. “sonata-form”), but this definition of form is of little use in a study of music in the 20th century, which has tended to break away from such fixed patterns, yielding a fantastic variety of new forms. In order to deal with this variety, our basic definition of form must be as broad as possible, and a number of new terms will have to be developed.

برای دانلود متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید

ثبت نام

اگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید

منابع مشابه

The Aesthetics of the Machine in the 20th Century Art based on Don Ihde’s Ideas

The increasing growth of technology in the twentieth century has brought about profound developments in the relations between man and the world. These developments, which included large industries and automatic and semi-automatic machines, necessitated the question of technology not only by intellectuals, but also by artists. Thus, different approaches to technology were formed, all of which we...

متن کامل

Music as an Intervention in Hospitals

Music as a therapeutic intervention is a development largely of the mid 20th century, however, it has existed in various forms in most cultures for many centuries. In recent years the use of music as an intervention has increased and this, to some extent, may reflect the growing interest in complimentary therapies.3 Music has been used for patients of all ages, from infants, children, adults to...

متن کامل

Repeated Step-sequences in Early Eighteenth Century Choreographies

INTRODUCTION Many of the extant notated dances from the early 18th century are throughcomposed. That is, their component step sequences are not repeated in relation to repeats in the music. Especially for more complicated theatre dances, repetition seems not to be the norm in baroque dance. Paradoxically, it appears that the more complicated a section of dance is, the less it bears repeating. Y...

متن کامل

جایگاه داروی اپیتینک(شربت تریاک) در درمان وابستگی به مواد افیونی؛ امیدها و نگرانی‌ها

Opium tincture or tincture of opium (TOP), also known as Laudanum, is an alcoholic herbal preparation of opium. It is made by combining ethanol with opium latex or powder. After works of Paracelsus, the 16th century Swiss-German alchemist, who discovered that the alkaloids in opium are far more soluble in alcohol compared to water and named Opium tincture as Laudanum, this drug has been found a...

متن کامل

موسیقی از نظر سنایی

Abstract Despite the existence of long-standing ties between poetry and music, Sanāyi, the famous poet of the sixth century, was a serious opponent unlike many other poets. He overtly blamed music as erotic art and composed poems blaming music. The author describes Sanāyi’s opinion about music in this paper and explores the terms of his disagreement. In the meantime, social backgrounds of his...

متن کامل

ذخیره در منابع من


  با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید

برای دانلود متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید

ثبت نام

اگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید

عنوان ژورنال:

دوره   شماره 

صفحات  -

تاریخ انتشار 2006